This time, the audience can not be passive, because even by not expressing any opinion they may trigger some very significant changes. With this imaginary and artistic social performance, Director Paweł Świątek demonstrates the strengths of democracy.

Those who, on entering, received badges identifying them as chiefs of clans or governors of provinces, had a completely different experience than me, a citizen confused by unclear procedures, partially deprived of even the simplest means of actions, but at the same time (though this was my own fault) so timid and distrustful as to initially shun engaging in social or political activity.

Polski Theatre in the Underground from Wroclaw has presented very innovative, theatrical political fiction. Using simulation and digital analysis technologies, the creators of “Prince,” inspired by Niccolo Machiavelli’s novel, have created a meticulously defined country and handed it over to the viewers. Nikolonia’s fate depends on the decisions taken during the game, and each action brings about specific effects. In this show, no one remains a passive viewer, because even inaction can lead to very significant changes.

The unusual form of the project, which goes beyond the theater, helps participants directly experience this responsibility for the country. Not every participant will get the same feeling, because the final impression largely depends on the function performed in the show. However, the lesson learned from “The Prince” seems clear and universal.